The article Short Story Tips: 3 Successful Strategies to Write a Short Story appeared first on The Write Practice.
Knowing how to write a short story seems like it’s a no-brainer. They’re short; how hard could it be? However, once you start writing a short story you’ll probably realize that you don’t know how to write a short story. You’d like to have some short story tips.
A novel has hundreds of pages to get you involved in the characters’ lives and to transform you to another world, all to leave you with a great ending that you’re thinking about weeks—maybe even years—later.
In a short story, you have to do all that in a few pages. It’s no wonder most of the “new” writers I know would rather write novels. Short stories may be small, but they are mighty. (Not to mention they are a great way to keep up a writing habit.)
Chances are your favorite author started their writing career by writing short stories. Big names and favorite writers like Stephen King, Neil Gaiman, Ray Bradbury, Kurt Vonnegut, Shirley Jackson, Louisa May Alcott, and Sylvia Plath are all short story writers.
I’ve talked about coming up with ideas, plotting, and some key elements of short stories. Now it’s time to stop dilly-dallying and get to writing. This article covers three successful short story tips and strategies to write a short story.
Evolving My Short Story Writing Process
I’m going to be honest: I do not use the same writing process for every story I write. And I really don’t think my fellow short story writers do either.
Each story feels different. There is a different inspiration. There are different life circumstances. There are different writerly moods.
In the introduction to American Gods, Neil Gaiman quotes Gene Wolfe, who told him,
“You never learn how to write a novel. You only learn to write the novel you’re on.”
This goes double for short stories, I think. I’ve never written two the same way. Sometimes I outline, sometimes I don’t, and sometimes I fall somewhere in between. Sometimes I don’t have anything but a first line; sometimes nothing but a character.
That said, there are three basic strategies to get those words on the paper. Over time, you’ll develop your favorites, mash up different strategies, and probably invent your own. Everyone’s creative writing process is different.
Whether you’re new to writing short stories, or are a veteran and just want to mix it up, here are three ways to get you started writing a short story:
For Pantsers: Write the Story in One Sitting
Writers who consider themselves “pantsters” vs. plotters don’t know much about the direction of their story before they start writing. They like to write by the “seat of their pants” and follow their characters where they go.
Sit down. Write the story. Do not stop writing the story. Do not do research. Do not take a break. Write the story from beginning to end, as fast as you can.
This method seems the easiest, but it can take some work later down the line. This is the most likely to end up lacking structure. It’s also the most likely to make the writer feel like their muse is riding along with them.
When I write this way, it’s because of a random idea that pops into my head, not because of writing prompts or anything like that. These stories are never written during my blocked-out writing time. They’re highly inconvenient little beasts, but oh, so satisfying. This is why pantsers pants—for this feeling.
If you write this way, be prepared for heavy edits. But don’t worry too much if this is your preferred way to write.
Story structure comes more naturally the more you practice it and the editing won’t be as daunting after you’ve got a couple of dozen stories under your belt.
For Plotters: A Mixture of Snowflake and Structure
Plotters know everything that happens in their story before they start the writing process. They have an extensive outline.
The snowflake method is how I was taught to write short stories. It’s a bit of a mix of two different methodologies: the snowflake method and Joe Bunting’s The Write Structure.
The basic idea is to write a few sentences telling the whole story. (Six sentences to be exact, though you could start with eighteen if you wanted to have two sentences for each step.) These six sentences are essentially the story outline. Then you expand those sentences into paragraphs, and then those paragraphs into pages.
There’s a formula for this that will help you identify a series of events that drives the plot:
- Sentence 1: The setup. Give the reader a single character and a setting.
- Sentence 2: Things get weird. Something happens to the character that’s out of the norm.
- Sentence 3: Things get worse. The situation escalates.
- Sentence 4: Things get even worse. The situation gets even worse.
- Sentences 5: The climax. Your character changes their approach and solves the problem.
- Sentence 6: The wrapup. Shows the reader the new “normal” for the character.
Want to see this in action?
- Sentence 1: On Christmas Eve in London, an aging miser goes home to an empty house.
- Sentence 2: His dead business partner shows up and tells him he will be visited by three ghosts.
- Sentence 3: The first ghost shows him his happy past and how his happiness was ruined by selfishness.
- Sentence 4: The second ghost shows him the present, and he softens slightly but doesn’t think there’s anything he can do about it.
- Sentence 5: The third ghost shows him the future, and he realizes he has to change his ways or he will die alone.
- Sentence 6: He wakes up on Christmas Day a changed man, determined to help those around him.
I’m sure you figured out this is Dickens’s A Christmas Carol, which is a little long (around 30,000 words, I think) to be considered a short story, but it works anyway.
Why? Because these six sentences are the six elements of plot and the basic elements of story structure. You could do this for every type of writing, every book, and every short story (and I encourage you to try it).
The basics are here. The next step is to expand on these sentences and make them into six paragraphs and then six pages.
With each iteration, more information, backstory, description, and dialogue are added until it is a complete story.
Note: If you are looking to be a flash fiction writer, this method, in my experience works best. Since flash is so short, you don’t have much room at all to add anything. Getting that six-sentence outline and expanding it into about six paragraphs will get you a tight piece of flash fiction with all the elements of story in there.
For Plansters: The What If Question
Plantsers are people who do a little outlining, but mainly like to write by the seat of their pants.
I talked extensively about the value of using the “What if?” question when writing in a previous article.
The What If question is my all-time favorite way of producing short stories. It’s got the spontaneity of pantsing, but gives a bit of structure to the writing process so editing isn’t such a mess.
In summary, this method employs a question-and-answer session to solve the story’s problems. What if X happened to this character? Then A would happen. And then B would happen. And ultimately C would happen.
In the case of old Scrooge, it would go something like this:
- X: What if a ghost visited this old miser and said he was going to be visited by a whole group of other ghosts to teach him a lesson?
- A: He wouldn’t listen to what the first ghost was trying to teach him.
- B: He would kind of get the point with the second ghost, but still think he’s not at fault.
- C: He would realize he’d better be nicer to people or literally no one is going to care when he dies.
There’s an inciting incident here, progressive complications, t